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Boris Eldagsen (*1970) studied Fine Arts and Philosophy in Cologne, Mainz, Prague, and Hyderabad.
Since 2000, his photographic and media art has been exhibited and awarded at international institutions and festivals.
From 2000 to 2020, he worked as a freelancer in digital marketing for agencies such as R/GA, MRM McCann, Saatchi & Saatchi Pro, Endemol Shine, VOK DAMS, Scholz & Friends, TLGG, Aperto, among others.
Since 2004, he has been teaching the theory of ideas and creativity at international art academies such as the Victorian College of the Arts / Melbourne University, Kunsthochschule Mainz, Filmakademie Ludwigsburg, and Pathshala Media Institute Dhaka. In addition, he has held workshops and presentations for 40 universities and art schools worldwide, as well as nearly a dozen Goethe-Institutes.
As one of the first, he began offering workshops on AI-generated images at the end of 2022 and has since taught hundreds of art directors, designers, photographers, artists, image editors, and professors the essential AI knowledge. Partner organizations for these workshops have included Jung von Matt Academy / PAGE Magazine, Hamburg Kreativ Gesellschaft, European Creators Lab, Creative Region Upper Austria, MFG Baden-Württemberg, and Hessendesign.
He is currently teaching “AI for Creatives” at LABASAD – Barcelona School for Art & Design.
Boris is one of the few internationally recognized experts in AI-generated images and videos and is a regular guest at panel discussions and events such as TEDx, re:publica, Handelsblatt Centillion Summit, Medientage München, FAZ AI Conference, World AI Conference Shanghai and C2 Montréal.
His refusal of the Sony World Photo Awards in April 2023 triggered a global debate on the relationship between photography and AI-generated images ("promptography"). He was called the “poster boy of the AI debate” (Süddeutsche Zeitung), “the man who lifted the lid on Pandora’s box” (The Age), and his image “PSEUDOMNESIA | The Electrician” was described as “the picture that stopped the world” (The Guardian), becoming a symbol of a new era.
He is an appointed member of Germany’s two oldest photography associations, DFA and DGPh, and a founding member of the AI working group of the German Photographic Council, the umbrella organization of over 40 photography associations and institutions in Germany. For the Council, he produces a monthly AI podcast. Additionally, he has been a guest on nearly 50 podcasts.
Eldagsen lives and works in Berlin.
Numerous studies have concluded that AI is in no way inferior to humans in terms of creativity. Unfortunately, these studies rarely define what they mean by creativity. Boris Eldagsen demonstrates the complexity of creative collaboration between humans and AI—and the impact this will have on the role of creatives and their education. He presents theories of creativity that help to better understand and optimize human-AI collaboration. And he offers suggestions on how companies can meaningfully prepare for multimodal work with AI.
WILL IT BLEND?
MULTIMODALITY – Why AI Will Lead to More Interdisciplinary Teamwork
DREAM UP YOUR MOVIE – How and Where AI Videos Are Already Used Professionally
RIVALS: Photography vs. Promptography (AI-Generated Images)
Excerpt from Company References:
re:publica Berlin, Medientage München, Messe Hamburg, Jung von Matt Academy, Konrad Adenauer Foundation, Kestnergesellschaft Hannover, AI Biennale NRW, Accenture Hamburg, La Biennale di Venezia, World AI Conference Shanghai, C2 Montreal, Handelsblatt Centillion Summit, Dubai Future Foundation, Australian Digital Alliance, Hamburg Kreativgesellschaft, ZDF Image Editing Department, FAZ AI Conference, Venice Biennale, European Creators Lab, Creative Region Upper Austria, EVZ Foundation.
“Once again, many thanks for the engaging conversation with Mr. Matthes at the Centillion Summit.”
Hannah (Advisor to the Editor-in-Chief / Handelsblatt)
“Thank you again for a great lecture. Everyone was very impressed by every aspect of your talk. Your clarity in conveying such complex topics is truly remarkable. I will definitely be in touch again if you're open to further collaborations.”
Michel (Program Director & Academic Director / Venice Biennale, College Cinema and Cinema VR)
“It was also a great pleasure for us to have you at MEDIENTAGE. Your session was incredibly exciting, and I was glad I could follow your talk despite the conference work.”
Felix (Conference Management / MEDIENTAGE MÜNCHEN)
“The poster boy of the AI debate”
Süddeutsche Zeitung
“The AI pioneer”
Die Welt
“One of the most knowledgeable experts in the field”
verdi.de
F.A.Z. | Künstliche Intelligenz
„KI wird den Mainstream-Markt zerstören – und dann neu aufbauen“
Beyond the Prompt - Hot to use AI in your company
Boris Eldagsen: Why AI-Generated Images Aren’t Photography
One on One - TERRITORY
Boris Eldagsen - Das Zeitalter der Promptographie.
rbb | KI UND JETZT?
Prompting vs. Genie? – Bildende Kunst und Künstliche Intelligenz
Big Questions with Cal Fussman
Boris Eldagsen: Fake Images & Your Future
Young Directors Award Podcast
S2 Episode 5 - Boris Eldagsen on AI, artistry and the future of imagery
picdrop Podcast
Boris Eldagsen - Über Künstliche Intelligenz in der Fotografie, Kunst & Gesellschaft
THE GRAIN Podcast
AI vs. Photography—Boris Eldagsen and Miles Astray
Lecker KUNST: leicht verständlich
102 - Kunst und KI
Lead on Purpose with James Laughlin
“I used AI!” Sony Award Winner Unveils Chilling Future - Why I Declined the Award.
Common Ground Berlin
Will AI end democracy? Part Two – Germany and Europe
The Jim Kroft Podcast
Fail Forwards | Boris Eldagsen
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